FILM

Unsentimental Honesty Fat City (1972)

Unsentimental Honesty – The Story of “Fat City.” The truth about a small-town boxer, and the epic struggles within that community and the hopes and dreams of both youth and old, and the endeavors of life that is captured on film.  This is the story of “Fat City.” “Fat City” is a 1972 American sports drama film directed by John Huston and based on the novel by Leonard Gardner. The film stars Stacy Keach, Jeff Bridges, Susan Tyrrell, and Candy Clark in her film debut. It follows the story of Billy Tully, a former champion boxer struggling with his past, and Ernie Munger, a young fighter on the rise. The film explores themes of ambition, failure, and the harsh realities of life in the boxing world. “Fat City” was well-received by critics and is considered one of Huston’s finest films. Susan Tyrrell was even nominated for an Academy Award for Best Supporting Actress for her performance.  “Fat City” explores several deep and poignant themes, making it a standout in the sports drama genre: Failure and Disillusionment – The film presents a raw and unfiltered look at the struggles of boxers who never quite make it to the top. It highlights the harsh realities of ambition and the inevitability of decline. The Cycle of Poverty – The characters live in a world where economic hardship is a constant battle. The film portrays the gritty, working-class existence of those chasing dreams that often remain out of reach. Hope vs. Reality – Despite their circumstances, the characters cling to hope and optimism, even when the odds are stacked against them. This contrast between dreams and reality is a central theme. Loneliness and Human Connection – The film delves into the emotional isolation of its characters, showing how they seek companionship and meaning in a world that often feels indifferent. John Huston’s direction brings these themes to life with unsentimental honesty, making Fat City a powerful and thought-provoking film. “Fat City” features a cast of compelling characters, each navigating their own struggles: Billy Tully (Stacy Keach) – A former boxer past his prime, trying to reclaim his lost glory while battling personal demons. Ernie Munger (Jeff Bridges) – A young, inexperienced fighter with potential, but uncertain about his future in boxing. Oma Lee Greer (Susan Tyrrell) – A volatile and emotionally complex woman who becomes involved with Tully. Faye (Candy Clark) – Ernie’s girlfriend, who pressures him into marriage. Ruben (Nicholas Colasanto) – A boxing trainer and manager who plays a key role in shaping Ernie’s career. Lucero (Sixto Rodriguez) – An aging Mexican boxer who faces Tully in a pivotal match.

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The Setup (1949)

“The Setup” American film (1949) “The Set-Up” is a 1949 American film noir boxing drama directed by Robert Wise. It stars Robert Ryan as Bill “Stoker” Thompson, an aging boxer who defies gangsters by refusing to throw his last fight. The film is based on a 1928 narrative poem by Joseph Moncure March. The story unfolds in real-time, capturing the tension and drama of Stoker’s fight against a younger, mob-controlled opponent. Despite the odds, Stoker wins the match but faces brutal consequences for his decision. The film is celebrated for its gritty realism and compelling performances. Bill “Stoker” Thompson, a 35-year-old veteran boxer, is about to take on a 23-year-old Tiger Nelson at the local arena. His wife, Julie, fears this fight may be his last and wants him to quit boxing for good. Although Stoker gives her a ringside seat, she declines. Stoker’s manager, sure that he will continue to lose fights, takes money for a loss from a mobster. He is so sure of Stoker’s failure that he does not inform the boxer of the setup. But Stoker still has a dream left in him. He still feels one punch away from a shot at the title, and we learn that the other fighters in the dressing room also have dreams. Stoker and Julie passionately debate whether he should participate in the fight. Julie tells him that she has a headache and won’t attend. The fighters enter the dressing room after their bouts as the night rolls on. Some win, some lose, but all have dreams. At the beginning of the fourth round of what is a vicious match with the much younger and heavily favored Tiger Nelson, Stoker learns about the fix. Even though he is told that Little Boy, a feared gangster, is behind the set-up, he refuses to give up the fight. Stoker wins the vocal support of blood-thirsty fans who had at first rooted for Tiger Nelson. He eventually defeats Nelson. Stoker pays for his decision with a beating in an alley outside the arena. The group, including Nelson, irreparably damages Stoker’s hand by smashing it with a brick. Julie notices her husband from the hotel room. Stoker staggers out of the alley and collapses into Julie’s arms. “I won tonight,” he tells her, both realizing he can never fight again. “Yes,” she answers. “You won tonight. We both won tonight.” Special Thanks to Wally Matthews for hosting the Film at the Cinema Center in Huntington, New York. Next Date is May 22nd at 730 pm “Fat City” starring Stacy Keach and the original Golden Boy, Art Aragon.

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THE HARDER THEY FALL (1956)

THE HARDER THEY FALL (1956) This is a review of the film The Harder They Fall, which was shown at The Theater in Huntington, New York, on March 12, 2025.  “The Harder They Fall” is a 1956 American boxing film directed by Mark Robson. The screenplay was written by Philip Yordan, based on Budd Schulberg’s 1947 novel of the same name. The film stars Humphrey Bogart alongside Rod Steiger and Jan Sterling in his final film role. The plot follows Eddie Willis (Humphrey Bogart), a down-and-out sportswriter who is hired by a shady boxing promoter, Nick Benko (Rod Steiger), to promote a new heavyweight fighter, Toro Moreno (Mike Lane). Despite Toro’s lack of fighting ability, Benko plans to use his size as a gimmick to draw fans to his fights. Eddie spins Toro as a legitimate up-and-comer, even though all of Toro’s fights are fixed. Eddie becomes increasingly conflicted about the scheme and its impact on Toro as the story unfolds. “The Harder They Fall” delves deep into the internal conflicts of its characters, especially Eddie Willis and Toro Moreno. Eddie Willis (Humphrey Bogart): Eddie grapples with his conscience and moral integrity throughout the film. Initially, he is drawn into the scheme to promote Toro because he is financially desperate. However, seeing the toll the deceit and exploitation take on Toro, he becomes increasingly guilt-ridden. Eddie’s internal conflict is the struggle between his need for financial stability and his growing realization of the ethical implications of his actions. His journey is a classic portrayal of a man torn between self-preservation and doing the right thing. Toro Moreno (Mike Lane): Toro is a kind-hearted, naive boxer who genuinely believes he can become a champion. His internal conflict centers around his self-worth and realizing his success is a sham. As he starts to understand the extent of manipulation and dishonesty in boxing, he struggles with betrayal and humiliation. Toro’s journey is disillusioned as he grapples with the harsh truths about the sport he loves and his place within it. These conflicts drive the narrative and add depth to the characters, making “The Harder They Fall” a compelling examination of the darker side of the boxing world and the human cost of corruption and deceit. “The Harder They Fall” features several characters involved in the criminal and corrupt aspects of the boxing world. Here are two of the notable hoodlum characters: Nick Benko (Rod Steiger): Nick Benko is the unscrupulous boxing promoter who masterminds the scheme to exploit Toro Moreno. He represents the darker side of the boxing industry, where money and power overshadow ethics and integrity. Benko’s manipulative and ruthless nature makes him a central figure in the film’s exploration of corruption. Jim Weyerhause (Edward Andrews): Jim Weyerhause is another of Benko’s associates involved in the financial and promotional aspects of the scheme. His role emphasizes the pervasive corruption that extends beyond the physical fights to the business side of boxing. The Good Guy Character Art Leavitt ( Harold J. Stone) is Eddie Willis’ friend and a fellow writer who shares Eddie’s disdain for boxing corruption. He provides a voice of reason and morality in the film, contrasting with the more unscrupulous characters involved in the boxing scam. Cast Of the Film Prominent cast members of “The Harder They Fall” (1956) have passed away. Humphrey Bogart, who played Eddie Willis, passed away in 1957. Rod Steiger, who portrayed Nick Benko, died in 2002. Jan Sterling, who played Beth Willis, passed away in 2004. Mike Lane, who played Toro Moreno, died in 2015. A Man’s Man: Before he was the Man, he was a Professional Boxer Bogart and his last film: Review The historic impact of  The Harder They Fall The Harder They Fall stands out among boxing films due to its intense focus on the corruption and exploitation behind the sport, which sets it apart from many other boxing movies that celebrate the grit, determination, and personal triumphs of their protagonists. Here’s a quick comparison: Grit and Glory: Movies like Rocky (1976) and Creed (2015) emphasize the underdog story, focusing on personal determination and the physical and emotional toll of fighting. They often inspire viewers with the protagonist’s perseverance. Dark Themes: Raging Bull (1980) and The Harder They Fall take a different approach, examining the darker sides of boxing. While Raging Bull explores Jake LaMotta’s personal struggles, including his violence and jealousy, The Harder They Fall delves into the exploitation of boxers and the ethical dilemmas faced by those in the industry. Social Commentary: Unlike boxing movies focusing on individual stories, The Harder They Fall critiques systemic injustice, making its message feel weightier. It’s more about the machine behind the sport than about a single boxer’s journey. Morality Over Action: While films like Million Dollar Baby (2004) balance poignant storytelling with engaging in-ring action, The Harder They Fall minimizes the boxing scenes and centers on the characters’ morality, especially Humphrey Bogart’s journalist and internal conflict. Next showing at the Cinema Arts Theater, Huntington, NY 730pm — April 14, 2025 — “The Setup” (1949) starring Robert Ryan, Audrey Totter. Wally Matthews presents . . . https://youtu.be/FlPA5APYzV0?si=Q683OkqQuhcV5bsGhttps://youtu.be/ZcRc_-XcYVQ?si=T6485MJ09QYvtweC Bogart Collection @Amazon

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